Entries in Theodore Van Doren (7)

Tuesday
Jun012010

Sunset, Tuesday, 1 June 2010

William Theodore Van Doren. Sunset from Stony Point, Albemarle County, Va. Oil on watercolor block, 16 x 20.

Monday
Jan182010

Sunrise, Monday, 18 January 2010

William Theodore Van Doren. Southwest Mountains from Stony Point, Albemarle County, Va. Oil on watercolor block, 16 x 20.

Route 20, Stony Point to Barboursville, 9 a.m.

The Southwest Mountains, the low mountains, the Southwest Mountains here more brown than blue without benefit of distance, with the brown-violet woods of winter, the soft rounded summits barely distinguished one from another, a comforting line of friends along my right shoulder, like the song my father used to sing, “There’s a rainbow ’round my shoulder” – the Southwest Mountains, a rainbow ’round my shoulder.

Friday
Jan152010

Sunset, Friday, 15 January 2010

William Theodore Van Doren. Sunset from Stony Point, Albemarle County, Va. Oil on watercolor block, 16 x 20.

Happy Birthday, MLK. My parents – even my parents made us shut up and listen to that speech, on the radio on the way back from the beach.

Following from yesterday’s mention of Andy Warhol: Something I appreciated, as a painter and in a larger way as an artist, was Louis Menand’s essay on Warhol in the January 11th New Yorker. While commenting, more or less, on recent books about Warhol, Menand manages to distill the history of contemporary art criticism. For anyone like me who missed the meeting about Abstract Expressionism and Pop Art and what has come after, it’s a brilliantly accessible and illuminating short course. 

Sunday
Dec202009

What’s Happening?

On December 11th, I picked up some effects, papers pertaining to family history, that had belonged at one time to my aunt Elizabeth Van Doren Ankers. In the top of the box was a letter from 1947, sent from the Russian sector of Berlin, concerning a German woman my father had been engaged to, at age 19, before he came home and met my mother. This is something neither I nor any of my siblings had known about. In any case, the letter informed my grandmother – Dad’s mother – of the woman’s death in a railway accident. The date of her death: December 11th.

A few days later, I signed a contract to edit and produce a book commemorating the anniversary of the founding of a local hospice. That night, we turned on the television, as we usually do – currently, having exhausted our favorite rentable series, we’re going episode by episode through a British series, Midsomer Murders, that belongs quite solidly to the second tier.

That night’s show: murders involving the founding of a hospice.

O.K., fine. A few nights later, the episode was titled “Dead in the Water,” It included several references to rats, including a dead one. Meanwhile, we had placed a vase under a leaky pipe. Surprising that nothing like this had ever happened in 15 years of living in a house so permeable to mice, but, you guessed it: that very night, a mouse ... literally ‘dead in the water’.

(We often are aware of having a mouse or two around – no rats that I know of, although for a while we suspected we were hosting a mouse we called, thanks to The Princess Bride, a ROVUS – Rodent of Very Unusual Size.) 

The next one is not quite as unnerving. Last night, as the snowstorm was finally ending, our lights kept flickering – the power would go off for half a second – and we kept wondering, especially given our many power outages here in the country – Are we about to lose power? We filled more water jugs (important if you depend on a well) and made other preparations. We didn’t lose power, fortunately. And that meant we could watch another episode! This one just happened to take place at Christmastime (not a planned coincidence). It opens with folks placing Christmas lights outside ... and seeing them go out for a moment.

“Not another power cut!” they cry, before power comes back on – and someone inside the house shoots himself.

So, that’s it, up to the moment, I think. Perhaps I should be worried, except that strange synchronicities have happened to me many times before – just not quite so thick and fast. As for the connections to mortality, I ignore them – or take them simply as a sign of something serious. Something’s happening – I wonder if I’ll ever understand what it is.

Monday
Jul062009

Sunset, Monday, 6 July 2009

Stony Point, Albemarle County, Va. Oil on paper, 16 x 20.

“What a difference a day makes.”

This line, which came to me of course because of the change from yesterday, made me think of my dad, because he used to sing the song all the time. More precisely, he’d always sing the first two lines –

What a difference a day makes
Twenty-four little hours

– and that’s all. This of course left me in some doubt as to whether the difference a day made was good or bad. Little did I know that the difference:

Brought the sun and the flowers
Where there used to be rain.

I might attribute this truncation to some sadness in Dad’s life, of which there was plenty, except many songs went on beyond their initial lines to spell out a sad tale, and he didn’t go on with those, either. For example, of “Blues in the Night” (Harold Arlen and Johnny Mercer), what I always heard was:

My mama done told me
When I was in knee pants
My mama done told me, ‘Son ... ’

Really, it was 40 years before I found out what it was his mama done told him.

All I ever knew of W.C. Handy’s “St. Louis Blues” was:

I hate to see that evening sun go down.

And he sang that line literally hundreds of times, just out of nowhere. I think I even remember my mother singing that line, and she hardly sang at all.

(The most wonderful song along these thematic lines – my #1 diurnal tune – is “Rising Sun” by Sonny Terry and Brownie McGhee.)

The difference a day makes is one facet of painting these sunsets – but I’m thinking that the difference it doesn’t make is at least an equally large and the more subtle part of the matter. What I notice when I see all the days arrayed is both change and the constant – something in time that doesn’t change.

This thought in turn makes me wish I could have paid more attention to both math and physics – and specifically to mathematical constants – evidently numbers that arise naturally, such as pi, the ratio of a circle’s circumference to its diameter (well, yes, I know you knew this, but I’d totally forgotten) – and to physical constants, like gravitation or the speed of light.

I never thought any of that was very interesting, or relevant to what I was interested in. Now I think there’s a Constant embedded in the succession of days.

Monday
Jun012009

Sunset, Monday, 1 June 2009

Stony Point, Albemarle County, Va. Oil on paper, 16 x 20.I hope this sky is sufficiently bigger than life to suit my dad, Theodore (Ted) Van Doren, who would have been 83 today. I’d been thinking about lines from the hymn “The Holy City” that I still (more than 29 years after his death) would like to put on his gravestone. (What’s on there now is not of interest, much like the story behind it.) Dad used to sing that song, along with his sister May at the piano, and his powerful voice would shake the walls. But he never could quite entirely get the highest note at the end ... witnessing him do the song was like watching someone try to break the world record in the pole vault. I think he’d appreciate the fact that one of the sites where I found the lyrics also carries an ad, “How To Sing High Notes.”

The best place I found for the lyrics was a site related to James Joyce, which also lets you play a pretty good rendition of one of the verses; this site also includes a discussion of Joyce’s use of the song. The version I found that most conveys the power of the song as Dad sang it was on YouTube, by the Beirut Orpheus Choir. Of course, the performance by Mahalia Jackson is in a class by itself.

Sampling different recordings of the song just about destroyed me.

The lines?

Methought the voice of angels

From heaven in answer rang.